House Finches Get a New Coat of Paint

By Katherine Woolley

Summer Naturalist Intern at the Cable Natural History Museum

Katherine Woolley is about to start her senior year as an environmental education major at Western Colorado University. When Katherine arrived for her second round as a Summer Naturalist Intern at the Museum, she announced that she hit a certain age and suddenly became a birder!

“Peep peep peep peeeep PEEP PEEEEEP peep peep” I rolled over in my bed and groaned. Spring had come early to Colorado’s Gunnison Valley where I attend university. A flash of yellow on my window bird feeder caught my attention. There perched a male house finch sporting banana-colored belly feathers where the red normally is.

Male House Finch with yellow feathers on a window feeder in Gunnison, CO.
Photo by Katherine Woolley.

When ornithologists see a house finch with this color variation, their first thought is often that the individual has xanthochromism. This genetic condition manifests as an unusually large amount of yellow pigment, frequently replacing red pigment. Going in the other direction, axanthism occurs when there is an unusually small amount of yellow pigment or none at all.

In the case of house finches like the one who was acting as my alarm clock, their diet at the time of molting causes their color abnormality. Molting is when a bird loses their old feathers and replaces them with new ones. Molting can take place at different times throughout the year, but because of the energy required to molt, most birds will make sure it doesn't overlap with migration or breeding. Some birds will molt just their head and body feathers in early spring, leaving their flight feathers for later. Since this neon yellow was a drastic change from the peachy bellies I had been observing on finches since winter, it seemed like he had molted practically overnight.

All male house finches have the capacity to be red, orange, or yellow because of pigments called carotenoids. The carotenoids that affect house finch coloration are generally split into three groups with different colors that appear when an animal ingests too much or too little of certain carotenoids. Beta-carotene creates the yellow I was seeing out my window while isocryptoxanthin makes an orange that I saw another finch sporting later in the season. The final carotenoid is called echinenon and causes the bright red that is characteristic of male house finches.

Male House Finch with red feathers at Katherine’s family home in Minneapolis, MN.
Photo by Katherine Woolley.

Most naturally occurring carotenoids are found in leaves and fruit. These carotenoid-bearing Beings are the bulk of the house finch's plant-based diet. Here in the Northwoods, finches seek out the seeds of thistles, dandelions, and sunflowers. A particular treat for house finches are the countless species of berries that grow wild in the Northwoods. The fruit of ornamental trees in our yards like crab apples, or store-bought bird food like peanuts, also contribute to the house finch diet. The occasional insects or other invertebrates they add to their meals do not impact their coloration.

While seeing a house finch in something other than his red suit is exciting and not directly harmful to the bird's health, it does get in the way of other aspects of their life. My bright yellow bird alarm clock in the Rockies never seemed to have any success with the ladies. Female house finches all over the country tend to go for males with the most saturated red in their feathers because it shows that they are competent foragers and good potential mates.

Male House Finch with orange feathers on a window feeder in Gunnison, CO.
Photo by Katherine Woolley.

I yawned, stretched, and got out of bed with the chorus of finches calling in the background. After snapping a few photos of my yellow friend, I grabbed my phone. I grinned to myself as I texted the staff at the Cable Natural History Museum telling them all about my find. I bounced on my heels as I hit send, already planning where I would go to look for yellow and orange house finches in the Northwoods when I moved back to Cable for my second year as a Summer Naturalist Intern at the Cable Natural History Museum.

For more than 50 years, the Cable Natural History Museum has served to connect you to the Northwoods. Our Summer Calendar is open for registration! The Museum’s new exhibit, The Wetland Way is now open! Discover how life thrives at the intersection of soil and water, and why we must care for these special places as they care for us. Follow us on Facebook, Instagram, YouTube, and cablemuseum.org to see what we are up to.

Who's Hiding in the Tapestry?

From a distance, the forests of July look like a lush tapestry of green. But when you step into the loosely woven strands and take a closer look, the leaves are etched with feeding trails, dissected by holes of all shapes and sizes, and covered with the debris of life. It’s a principle of ecology, of course, that every Being is food for someone else.

Cattails, for example, are food for me! Before their flower spikes explode with pollen and become those brown sausage-shaped seed heads, the dense cylinders of their male flowers are a tasty green vegetable. Simply husk them like sweet corn, boil for 10 minutes, and eat with butter and salt. Just like a corncob, there’s a central stem you must nibble around. In Northern Wisconsin, this part of the plant becomes edible in late June.

Harvesting the male flower spike on a cattail. 

A few weeks ago while I was tromping through a cattail stand to harvest dinner, I noticed that some of the cattail leaves were folded over at the tip into a triangular origami box. I set down my bag of flower spikes and used both hands to unfold the leaf. White silk in the seams stretched and tore. The inside was lined with sheets of silk as well, and hidden below this gossamer blanket was a cluster of beige eggs. In a flurry of legs, someone small and brown escaped from the back corner of the box and dropped to the ground. Who had I disturbed?

The next origami leaf I opened much more slowly, and was rewarded with the sight of a pretty little spider covered in silky brown hairs. She stared at me with her ebony face from beyond her pile of eggs.

Riparian sac spiders fold a cattail leaf into a little origami home in which to guard their eggs. Photo by Emily Stone.

All spiders can make silk, but riparian sac spiders like this one don’t build webs. To hunt, they wander through the night, hoping to stumble on an insect or arthropod the right size for their next meal. When a female is ready to lay eggs, though, she finds the leaf of a monocot—plants like grasses or lilies with parallel venation—and bends it around herself in a clockwise direction. She uses silk to hold everything tight and to line the enclosure, then lays her pile of eggs. The leaf isn’t crimped; it remains green and living.

This tidy structure has been described as both a nursery and a coffin. The mother spider will never leave the structure again (except if disturbed by a curious naturalist). Instead, she guards her eggs against the marauding hunger of other female sac spiders. By some accounts, she dies just before the eggs hatch, and the young consume her body as their first meal. It is the ultimate maternal gift.

Sac spiders as a group are common around the globe, and this particular species has been found in Russia, Mongolia, China, Japan, across the Northwoods, and in Cable, Wis.

In looking up information on the Bug of the Week blog by Kate Redmond, I discovered that sac spiders are classified as “leaf folders,” while other leaf architects are “leaf rollers” or “leaf tiers.” All of these insects and spiders use silk that contracts as it dries to shape leaves into shelters.

S. W. Frost, in the 1942 book Insect Life and Insect Natural History, described that “As the strands dry, they shrink and pull the edges of the leaf inward. New and shorter strands are then spun which in turn shrink and pull the edges of the leaf closer together. This is continued until the edge of the leaf is drawn completely over and is fastened with other strands of silk…”

I set out to find examples of the other two leaf architects. It didn’t take long. While walking a section of the Superior Hiking Trail, I spotted large-leaved aster leaves with one edge curled inward toward the midrib. Brown trails through the tissue indicated that the homeowner was mining the leaf material from inside their hidey-hole. I opened one to discover a sprinkling of black frass (poop) and no resident. I decided not to disturb anymore. Micro-moths in the family Tortricidae are some of the most common leaf-rolling architects, and are my top suspects. This group includes spruce budworm, a pest who had sewed fir needles together nearby.

A leaf rolling insect has used silk that shrinks as it dries to construct a shelter in this large-leaved aster leaf. Photo by Emily Stone.

Spruce budworms are leaf-rolling moth larvae likely related to the architect of the leaf above. They are currently killing quite a few fir and spruce trees in Northern Minnesota. 

Photo by Emily Stone.

In a rocky section of trail, a patch of pearly everlasting leaves caught my eye. On several plants a few of the topmost leaves had been sewn together into a messy vase. Without even opening the structure, I knew that this was the work of a spikey black caterpillar who will metamorphose into an American painted lady butterfly. They scrape pale fuzz off the leaves’ surfaces to line their nest, and also munch on the inner walls of their home.

American painted lady butterfly larvae sew pearly everlasting leaves into a vase-shaped hideaway. Photo by Emily Stone.

The hiding caterpillars above will metamorphose into this beautiful American painted lady butterfly. Photo by Emily Stone. 

Everywhere I looked, the signs of leaf-eaters abounded. And then, in a flash of feathers, a bird dove into a bush. Behind the screen of twigs, a male chestnut-sided warbler hopped nervously with two different colors of caterpillars dangling from his beak. When he sensed my focus had strayed, he dove away to his nest. Those larvae were almost certainly leaf-eaters, and they were about to become birds! The abundance of summer is a great time to witness ecology in action.

Can you spot the male chestnut-sided warbler with two caterpillars in his mouth?
Photo by Emily Stone. 

Emily’s third book, Natural Connections3: A Web Endlessly Woven, is available to purchase at www.cablemuseum.org/books and at your local independent bookstore, too.

For more than 50 years, the Cable Natural History Museum has served to connect you to the Northwoods. Our Summer Calendar is open for registration! The Museum’s new exhibit, The Wetland Way is now open! Discover how life thrives at the intersection of soil and water, and why we must care for these special places as they care for us. Follow us on Facebook, Instagram, YouTube, and cablemuseum.org to see what we are up to.

Stalking Wonder

On a warm day at the end of June, the whole world buzzed with life. Painted turtles slid off sunning logs as we paddled up the channel into Big Bay Lagoon on Madeline Island. Song sparrows whistled and trilled their complex songs from the tops of scrubby black spruce trees. Through their trunks I spotted a veritable garden of pitcher plants blooming on a lawn of Sphagnum moss. As we stepped carefully onto the warm wet sponge of the bog mat, a bumblebee hummed inside the nearest burgundy bloom.

I don’t think I’ve ever seen so many pitcher plants blooming in one place! 

Photo by Emily Stone.

Although it’s hard to walk fast on soggy Sphagnum moss while not crushing the pitcher plants, I did my best to dart from one treasure to the next. Kevin followed behind at a more meditative pace, searching out the singers with his binoculars.

I barely caught the flash of brown out of the corner of my eye, but Kevin had a clear view. He followed the flight path of the bird until they landed on the far side of a small channel lined with arching sedges. Despite the bird’s pinstriped camouflage blending seamlessly with the tall grass, and having never before seen one in the wild, his identification came instantly: American bittern!

Can you spot them?

These birds of mucky marshlands are hard to spot. It’s not just because of their cryptic coloration, but also because we’d sink into the mud of their damp, reedy habitats. During my graduate school project monitoring wetlands in Maine, we spooked bitterns into flight many times while bushwhacking to our remote field sites. The kok-kok-kok call they made in agitation harmonized with the squishing of our boots.

Now a bittern was stalking along barely 20 feet away, and we could easily see the huge, bony yellow toes that kept them from sinking in. As the heron clung to an insubstantial hummock of dried grass, their mottled brown rear wiggled in anticipation as their striped neck stretched forward. Then legs, feet, and neck all uncoiled at once, launching the bittern’s spear-like beak into the water’s edge. Their white throat patch pulsed to gulp down their prey. Frog? Tadpole? Fish? Bug? We couldn’t see, and their diet is diverse.

Watch the bittern hunt!

As the bittern stalked a few steps forward to seek their next target, we stalked them, too, creeping along our shore to keep them in view. And although they peered intently into the water with their yellow eyes shaded by a prominent brow ridge, they didn’t seem to notice (or care about) us. They just continued their strategy: several quick steps forward to a new hummock. Freeze. Stare intently into the water. Strike. Gulp. Repeat. From the movement of their throat, we figured they had nearly perfect hunting success. Although they are known to snatch dragonflies from flight, they ignored the shimmering-winged insects darting above the grass. Perhaps they prefer easier and juicier prey. Like owls, they can regurgitate the indigestible bits.

Strike!

For several minutes we watched in awe as the bittern worked their way down the shore. Then the walking on our side of the channel became too treacherous to navigate without long yellow toes and we turned back to explore the rest of the lagoon. For the next several days we exclaimed about our good luck at having a front-row seat for such a rare show.

Pink Panther ;-)

Bitterns hunt alone, mostly at dawn and dusk, and are said to be easier to hear than to see. Their deep booming, gulping calls travel far across marshes, but the male “thunder-pumpers” are vocal only during their spring mating season, and so it’s not even that easy to hear them. Add to that bitterns’ decline in parallel with the decline of their wetland homes, and we’d resigned ourselves to admiring their mystery instead of enjoying an encounter.

American bitterns stand quietly while the get ready to strike at prey like fish or frogs.
Photo by Emily Stone.

Perhaps we were too pessimistic. Over the past several years I’ve spotted bitterns a few times. One summer two juveniles watched me bike by from the mowed roadside, the remnants of downy baby feathers sticking out from their new brown coats. So ingrained is their instinct to hide by standing with the striped neck vertical and their beak in the air, sometimes swaying gently like grass in the wind, that they will do this even when out in the open. A couple years prior, I’d watched a juvenile with the same telltale halo of down stalk insects in a short-cropped field on my way to pick blueberries.

Protected wetlands like Big Bay Lagoon are essential to American bitterns’ continued existence, as are similar habitats on their wintering grounds farther south. Protected wetlands are great for paddlers, too. After we left the bittern, we stalked feasts of wonder in the form of hot pink orchids, a giant snapping turtle, darting fish, a family of loons, and a world buzzing with life.

Protected wetlands like the Big Bay Lagoon on Madeline Island are essential habitat for bitterns and much more. Photo by Emily Stone.

Dragon's Mouth Orchids were a neat find!

This giant snapper just rested on the bottom while we paddled past...

When life is buzzing, Kevin wears his full bug armor!

Emily’s third book, Natural Connections3: A Web Endlessly Woven, is available to purchase at www.cablemuseum.org/books and at your local independent bookstore, too.

For more than 50 years, the Cable Natural History Museum has served to connect you to the Northwoods. Our Summer Calendar is open for registration! The Museum’s new exhibit, The Wetland Way is now open! Discover how life thrives at the intersection of soil and water, and why we must care for these special places as they care for us. Follow us on Facebook, Instagram, YouTube, and cablemuseum.org to see what we are up to.

Heartbeats and Birds

The bird that Jim placed in my hand barely felt like anything against my skin. The black-and-white-striped feathers were soft, their temperature similar to my own. We’d just recorded the weight of this little beauty at 10 grams, or about as much as two teaspoons of sugar. I marveled at their racing heartbeat—more like a vibration than a pulse I could count.

With the black-and-white warbler’s fragile neck cradled between the first two fingers of my left hand, I tipped him down in a pose that most birds find hypnotic. His legs’ wiry strength pressed into the soft pads of my thumb and forefinger. The metal band with a unique number that Jim had just applied to the bird’s left leg glinted in the morning sun.

Master Bird Bander Jim Bryce holds a black-and-white warbler captured in a mist net in the Moquah Barrens. Photo by Emily Stone.

I felt gratitude for this bird’s brief connection to my life and their permanent contribution to research. Then I loosened my grip. Tiny toes pricked my finger as he clung upside down for a second before darting into the brush. I chuckled at the way, even while captive, this black-and-white warbler lived up to their reputation as a nuthatch mimic who is usually seen creeping nimbly along branches on the hunt for insects in the bark.

I’ve been watching Jim Bryce, a Master Bird Bander with a lifetime of experience, band birds on this hilltop in the Moquah Barrens in northern Bayfield County, Wis. for 13 years. Each year I revel in Jim’s steady stream of quiet words explaining the banding process and sharing his vast experience with bird banding over several decades and several government agencies. Usually, I lead a group of 20 Wisconsin Master Naturalist students on a hike up the overgrown footpath from the sandy forest road. We burst into a small clearing to find Jim already set up with his ancient folding table, folding chair, and banding supplies ready to begin teaching the moment anyone is close enough to listen.

Jim at his banding table during the 2016 Wisconsin Master Naturalist volunteer training. You can see the fringe of red pines in the distance. The site has been burned just that spring. Photo by Emily Stone.

This year was different. Rain kept us from banding with the students earlier in the week. But Jim still needed to conduct the banding as part a long-term research project studying how bird diversity changes in response to prescribed burning in this pine savannah. (Read about what we found in 2020.)

Catching the black-and-white warbler was a bit of a surprise. They are lovers of forests, but the lone pine tree on this hill died in the last prescribed burn—seven years ago. Now only a fringe of red pine trees looms in the distance as breezes rustle leaves in an aspen grove across the road. Bad luck with fire weather has prevented burning on the planned three-to-five-year schedule, and not-so-scrubby oaks whacked our faces and waved above our heads as Jim and I visited each of the three mist nets we set up in order to gently entangle the local songbirds.

The 12-meter mist net is visible down the center of the group as Jim extracts a bird in 2016.
Photo by Emily Stone.

Our first net check of the morning had yielded this black-and-white warbler, a beautiful male chestnut-sided warbler, a feisty female rose-breasted grosbeak, and a veery. Veeries are small, brown thrushes also described as forest birds, but their flute-like, downward spiraling song has been a consistent part of our Barrens soundtrack anyway. Jim let me weigh each of the first three birds inside their mesh collection bags and then observe his banding technique. By the time we got to the veery, he insisted it was my turn.

Veeries are small, brown thrushes whose flute-like, downward spiraling song is often heard in damp forests of the Northwoods. Photo by Emily Stone.

My heart raced as I reached my hand into the bag. What if I broke them? What if I let them escape? Then my fingers found a familiar grip, and before I knew it, I was holding this bird just like I had the warbler. Now that I was the bander and not just the releaser, the vibration of their heart felt different. Their safety was in my hands. My own heart slowed, and I took a steadying breath.

We’d already recorded the band number, date, time, location, numerical species code, and weight of the bird-plus-the-bag in Jim’s well-worn notebook. As I held the veery in my left hand, I used my right hand to spread open the tiny, officially issued aluminum band using the split peg on Jim’s banding pliers. Maneuvering the veery so that I could grip their right leg in my left thumb and forefinger, I slipped the open band over their leg. I wielded the power of the pliers as gently as I could to squeeze the band closed, the edges meeting smoothly and the whole thing sliding freely between their foot and “knee.” Now even if the bird escaped, they were ready to contribute to science!

I was too focused on banding the veery to take photos, but later we caught this white-throated sparrow and I was able to band him, too. The banding notebook and supplies can be seen in the background. Photo by Emily Stone.

Male and female veeries look very similar, so to determine the bird’s sex, I blew on their stomach to part the feathers. In female birds, this reveals a featherless area called a brood patch where bare skin conducts heat directly to her eggs. Instead, I found a small knob known as a cloacal protuberance. This organ swells during breeding season and assists a male with fertilizing the female during a brief act called a “cloacal kiss.”

Jim blows on the belly of a male chestnut-sided warbler revealing the cloacal protuberance. Photo by Emily Stone.

Up higher, my breath revealed red skin around their bird’s wishbone, indicating a complete lack of subcutaneous fat. Breeding birds have no time to gain weight! Their body size is more stable, though, so I also measured from the tip of the longest feather to the bend in the wing. All of these data are useful in tracking changes in bird populations over time, but the holy grails of bird banding are returns. Re-catching a previously banded bird is rare in the banding world, but returns provide a wealth of information. (Read about the return we have in 2015!)

From these recaptured birds, scientists have learned about the incredible 24,000 mile round-trip migration that Arctic terns complete each year; the wintering habitat of Bicknell’s thrushes; and the maximum known age for a wild bald eagle (at least 38 years). However, only about 1% of small birds are ever caught again. If someone recaptures this veery, the USGS will notify Jim, and he will tell me.

“This bird will be forever connected to you,” Jim reminded me after we’d sent the veery flying back into the brush. My heart fluttered happily.

The veery and me--my first ever banded bird! 

Preserving the Legacy of Black Ash

Dappled light, mosquitoes, and the roar of a chainsaw filled the humid air on a morning in early June. Guided by skilled hands, the blade sliced through pale wood. Lacey green leaves trembled against the blue sky before tipping toward a gap in the canopy, brushing past the twigs of neighbors, and easing quietly onto the earth exactly where the feller intended. If a black ash tree falls in the forest, must it land with a crash?

Jamie Holly of Cable, Wis. cuts a black ash tree he just felled into logs suitable for pounding into basket making material. Photo by April Stone.

Deep in the woods east of Lake Namakagon, I’d gathered a small team of volunteers on an urgent mission. Last summer, the Museum hosted April Ogimaakwe Stone, member of the Bad River Band of Lake Superior Chippewa and black ash basketmaker, for a series of workshops. She taught us about harvesting black ash trees, preparing basket-making splints, and weaving with this sacred material.

Pounding the black ash strips can be a social activity, and while we worked, we talked. I learned that the emerald ash borer, a non-local being who kills ash trees, had already been found in the swamps of the Bad River Reservation. April, and basketmakers all over the country, are worried that their traditional craft will be lost as the trees succumb to an insect introduced from China to Michigan in 2002, via the wood from shipping crates.

While EAB, as the shiny green interlopers are known, have been detected in every county in Wisconsin, I had yet to see any signs of them around the Cable area. All winter I spread word through the Museum’s networks that we were looking for black ash trees within easy distance of access roads. That brought us to some well-loved family land belonging to Museum members. Their rolling hills dimpled with vernal pools are cradled on three sides by Lake Namakagon and shaded by a northern hardwood forest.

From hundreds of options, we chose to harvest four black ash trees, including one found on Museum land nearby. They were between ten and fourteen inches in diameter with symmetrical trunks, no branch scars, healthy canopies, and wet feet. April’s carrying straps, made from wide webbing, allowed four people to share the load as we hauled each of the heavy six-to-eight-foot logs out of the woods.

Volunteers team up to haul ash logs out of the woods. Photo by April Stone. 

Back at the Museum, April set two of the eight logs on her pounding stands. Once the bark was sliced lengthwise, ample moisture in the xylem cells below helped it peel off in one large piece (that’s why we wanted the trees to have wet feet!). Then the pounding began. April’s preferred tools are cylindrical wooden mallets with a sheath of steel on one end. She coached volunteers in pounding hard—but not too hard—and staying in sync with their neighbor so they could have a moment of silence between each blow.

Ash log ready to start!

Anne Clauser, Gus Smith, and Hannah Burch peel the bark off a black ash log.
Photo by Emily Stone.

Because black ash grows in wet areas, their new cells expand especially fast in the spring. Growth slows down in the summer. This creates the rings you’d count to learn their age. Pounding the log compresses and destroys the spring wood and separates it from the denser summer wood, which can then be peeled off the log in long strips about three inches wide.

Black ash growth rings tend to be wide. Photo by Emily Stone. 

There’s more fine-tuning before these splints are ready to weave, but it’s not nearly as loud or as tiring as the pounding. That’s why we invited volunteers to take turns and help April put up a supply of materials. The pile of cream-colored splints plus the six untouched logs she took home will allow her to continue teaching and keeping this tradition alive for at least a while longer. (Learn more about the process, and about April, on the Cable Natural History Museum’s YouTube channel.)

Museum staff members Heaven Walker, Elora Repman and Mollie Kreb stand next to an ash log, with basket splints pounded by volunteers in the background. Photo by April Stone.

Just halfway through our second day of work, I tore myself away from the fun and drove south toward a family funeral. Somewhere along the I-35 corridor I started noticing the skeletons of trees poking out of forests and fencerows. Even driving 70 mph, I could see that the twigs were stout and oppositely arranged—the signature pattern of ash. My sadness multiplied. This was more ash death than I’d ever noticed before.

At a rest area near Clear Lake, Iowa, I pulled in for a closer look. The lone picnic table—once shaded by a grove of giants—was surrounded by skeletal green ash trees. The bark of one tree peeled off in huge sheets, revealing a bare trunk entirely patterned with the squiggly galleries left by EAB larvae as they fed on the nutritious inner layer. On another tree with bark still holding firm, I spotted the tiny, D-shaped holes where the larvae had metamorphosed and exited as adults—ready to mate and lay more eggs.

Dead ash trees in Iowa. Photo by Emily Stone.

EAB larval galleries

EAB D-shaped exit hole of an adult beetle.

A single ash tree may not crash if we harvest them carefully, but all species of ash trees (Fraxinus spp.) on our entire continent are expected to crash and crash hard. Scientists predict that even a healthy forest will lose 98% of its ash trees within six years of an EAB infestation. Death has a way of making us think about legacy, and my hope is that the work our volunteers did this June will help extend the legacy of ash.

Emily’s third book, Natural Connections3: A Web Endlessly Woven, is available to purchase at www.cablemuseum.org/books and at your local independent bookstore, too.

For more than 50 years, the Cable Natural History Museum has served to connect you to the Northwoods. Our Summer Calendar is open for registration! The Museum’s new exhibit, The Wetland Way is now open! Discover how life thrives at the intersection of soil and water, and why we must care for these special places as they care for us. Follow us on Facebook, Instagram, YouTube, and cablemuseum.org to see what we are up to.

Summer Blooms with Lois Nestel

While staying in Boulder Junction, Wis. to take a Wilderness First Responder course last week, I made time for a bike ride on the Heart of Vilas County Bike Trail. This wonderfully curvy, scenic, paved trail is a favorite of mine. At this junction between spring and summer, I delighted in the profusion of flowers.

Barren strawberry flowers produce dry seeds, not sweet berries. Photo by Emily Stone.

Riding alone allowed me to stop and smell the roses. The bright white flowers of wild strawberries and the canary yellow flowers of barren strawberry (both in the Rose Family) lined the trail. The first produces a juicy red berry, the second, despite its similar set of three toothy leaves and five-petaled flowers, only makes a few dry seeds. Serviceberries, fringed polygala, starflower, wood anemone, and a late-blooming trailing arbutus also caught my eye. I knelt on the prickly pine needles to inhale the last whiff of spring from the withering arbutus.

Wild strawberry flowers have the typical five-petaled pattern of the Rose Family. Photo by Emily Stone.

Lois Nestel, the Museum’s first naturalist and director, might not have joined me on a bike ride, but I know I would have loved to walk attentively through the woods with her. This week, I’d like to share her description of the residents of woods and fields as summer begins to bloom. Slow down a minute with me, we’ll smell the roses, and I think you’ll find it rewarding.

Lois wrote, “Although the woodland flowers of spring are passing as increased foliage cuts off the light, there are still numbers of delightful varieties to be found. Both pink and yellow lady-slippers are blooming now as are some of the bog orchids. Many smaller shade-loving blooms may also be found if one cares to expend the extra energy to find them. Dainty gold-thread, pipsissewa, and twinflowers lift their lovely blooms only two or three inches above the forest duff. The dwarf dogwood, known as bunchberry, masses its four-petaled green and ivory flowers along banks and around old stumps, and nearby the yellow bloom of Clintonia or bluebead lily may be found.

Bunchberry blooms in early summer. Photo by Emily Stone.

“But from now until autumn the floral emphasis will be upon the blossoms of open areas, roadsides, fields and glades—and the variety seems endless. Drifts of color along roadsides and in meadows are more spectacular than are the more modest flowers of spring. Daisies, hawk-weed, and other composites now dominate the scene, and the yellow-flowered salsify, best known in late summer for its huge dandelion-like seed head (commonly known as goat’s beard), is one of the most interesting. It is related to the oyster plant grown in gardens.

Daisys will soon bloom in many sunny fields and roadsides. Photo by Emily Stone.

“Perhaps the loveliest flower of the season is the wild rose, and differences in varieties and habitat allow their season to be quite extended. While color may vary from deep pink to almost white, the typical rose fragrance varies little. Simple perfection personifies the rose.

“In damp meadows, golden alexanders spread their wheels and along the edges, in sheltered nooks, wild columbine nods its spurred bells. In drier fields and roadsides, flat-topped aromatic heads of yarrow vary from dingy white to mauve or pink. From hillside to hallow, from northern to southern exposure, great differences can be seen in the development of the floral community. In sunny, open areas some plants will already be seeding while their counterparts in cool depressions are only in bud.

“Summer’s profusion together with our modern way of life can be a disadvantage. Traveling swiftly by car, one sees sheets and belts and blurs of color…sees and yet does not see. The quantity bedazzles, the quality is not seen.

“Take time to walk, to examine the intricacies of the individual flower; look for the less obvious. It is rewarding.”

Emily’s third book, Natural Connections3: A Web Endlessly Woven, is available to purchase at www.cablemuseum.org/books and at your local independent bookstore, too.

For more than 50 years, the Cable Natural History Museum has served to connect you to the Northwoods. Our Summer Calendar is open for registration! The Museum’s new exhibit, The Wetland Way is now open! Discover how life thrives at the intersection of soil and water, and why we must care for these special places as they care for us. Follow us on Facebook, Instagram, YouTube, and cablemuseum.org to see what we are up to.

Spring Explodes in the Northwoods

In just the last week or two, new life has exploded in the Northwoods. To my brain, it feels like a burst of fireworks. Instead of embers sparkling in the darkness, there’s been a surge of colorful blossoms, an eruption of vibrant baby leaves, a cacophony of birdsong, and a buzz of movement everywhere I look.

Just outside my backdoor, the eastern phoebe has been shouting his own name. Underneath my old canoe, his mate constructed a mossy nest, one mouthful at a time. Every evening she swoops in to perch on the edge of the nest, then lowers her belly into the perfectly shaped cup. She does a happy little wiggle, tweaks the nest a bit with her bill, and then goes so still that the trail camera doesn’t record her again until morning when she leaves to feed. I double checked before heading to work: three eggs.

As I waited for participants in the Chequamegon Bay Birding and Nature Festival to arrive at Lake Owen for the first Loon Pontoon Tour of the year, I watched the trees at the boat landing. Flashing black and pale orange feathers revealed a female American redstart flycatching in the sunlight. An ovenbird shouted his Teacher, TEAcher, TEA-CHER! from somewhere in the woods. A quiet squawk revealed that a female yellow-bellied sapsucker had landed not 20 feet away on the trunk of a spruce tree. And, as I walked up the hill to the outhouse, my first-of-the-year red-eyed vireo asked for attention, repeating “here I am, in the tree, look at me, vir-e-o!” incessantly.

It was chilly on the lake, but enduring the cold breeze was worth it, especially when we spotted a loon on her nest. Like the phoebe, she picked at vegetation with her beak and futzed with the nest construction. Her brief, upright posture revealed the dark shape of an egg before she nestled back down. Her mate watched and dove from the deep part of the bay.

We searched the steep, sandy shorelines of Lake Owen for more loons, and found just one more nest on an artificial floating platform in a protected bay. Nearby a bald eagle sunned themself on a piney point. Did the giant nest behind that eagle hold their mate and eggs or chicks? We’ll find out in a few weeks!

Boating close to the shoreline provided more rewards. Golden marsh marigolds peeked out from the alder shrubs. The glossy green heads of male mallards glinted in the shallows. Earlier this spring all the mallards I saw were in pairs. Now, hopefully, the females are tucked away on nests.

The white shapes of two trumpeter swans stirred excitement in Lucy. A high school student on a birthday trip with her dad, Lucy is an avid birder, and these graceful birds were new additions for her life list. Would they nest here? I’ve never seen cygnets on Lake Owen before, but as trumpeter swans increase in number, they may need to find nest sites in new places.

Lucy’s sharp eyes also caught the glint of a turtle’s shell as they sunned on a half-submerged log. Focusing in with binoculars, she correctly identified them as a painted turtle. Still cold from hibernation, these reptiles need to warm up their bodies before they can digest food, develop eggs, and proceed with reproduction. The UV rays also kill fungi, bacteria, and other parasites on the shell’s surface. Once we were looking, we spotted turtles on almost every log.

Back at the Museum, I found a newborn fawn just curled up on our lawn. The fawn’s best defenses are to be small, well-camouflaged, and almost scent-free. Big, fragrant Mom hanging around would be easier for predators to detect, and this is dangerous for the fawn before they are strong enough to run. In past years, the doe has hidden her fawns in the line of cedars on the edge of our outdoor classroom. Those were removed recently to make way for the new library building. Apparently, Mom didn’t have time to make a new plan. The fawn did, though, and they found shelter in a corner of the library’s new entryway.

By the end of this vibrant spring day I was content to curl up like the fawn and the phoebe and fall asleep to the sweet song of a hermit thrush.

Emily’s third book, Natural Connections3: A Web Endlessly Woven, is available to purchase at www.cablemuseum.org/books and at your local independent bookstore, too.

For more than 50 years, the Cable Natural History Museum has served to connect you to the Northwoods. Our Summer Calendar is open for registration! The Museum’s new exhibit, The Wetland Way is now open! Discover how life thrives at the intersection of soil and water, and why we must care for these special places as they care for us. Follow us on Facebook, Instagram, YouTube, and cablemuseum.org to see what we are up to.